In the exhibition of Seçil Büyükkan, trees with roots that are far away from the ground become communities that can exist on their own. Reasons that gain independence from their sources act as resources for each other. Each different scenario can be read by its two aspects; first, trees that drift away from the ground and are composed of organic forms seem like they disperse their mundane self and form their own worlds/planets in the void. Then, these compositions made with trees rejoin with abstract feminine forms. These trees that gain independence from their roots and that create prejudice in someone who sees them as being dead preserve their aliveness with a state of being together that converts them into resources.